Moriscos y cristianos

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Origen y gestas de los godos constituye el primer intento conocido de crear una historia nacional de un pueblo europeo elaborado de modo consciente. El cambio operado en la obra de Jordanes con respecto a la historiografia romana tradicional es notable. Es la primera vez que Roma y su Imperio no ocupan el papel protagonista y el eje de los acontecimientos, sino que se convierten en parte marginal del relato en funcion de la historia goda.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Le recueil d'articles présentés dans ce volume regroupe les communications prononcées lors du Colloque International organisé en Mai 1982 par le Centre d'Etudes Ibériques et Ibéro-Américaines du XIXe siècle de l'Université de Lille III sur le thème: L'homme et l'espace dans la littérature, les arts et l'histoire en Espagne et en Amérique latine au XIXe siècle Le sujet proposé se profilait en quelque sorte comme une roue d'artifice dont l'homme aurait été l'axe ou le centre, et l'espace la surface rayonnante. Mais cet énoncé comportait aussi une zone floue, voire ambiguë: le ...